Cool nights and falling leaves mean the holiday season is fast approaching and with these fun-filled events comes the anxiety of what to give the special people in your life. If you have a tough time coming up with good ideas for gifts that produce more than a yawn when they’re opened, consider the gift that says “I love you” in a special way and most importantly will not become a “re-gifting” item stuck in a closet.

Copper can be applied with a variety of glues and you can even find glue with copper flake that dries to create an embossed finish.

One of the best ways to add color, texture and variety to a scrapbook is by using copper foil, copper sheeting, copper wire, specialty copper ornaments and embellishments created for this popular hobby. If copper isn’t the color you’re looking for, QuickShipMetals.com carries brass foil and aluminum foil and just added stainless steel foil for a more modern techno kind of look.

Memories are the greatest gift you can give, especially to parents or grandparents, but friends and even children love them as well. The best way to preserve and share memories is with a beautiful scrapbook filled with photos and memorabilia that record the important moments in a life well lived. Scrapbooks are a very popular hobby now because it’s fun and it creates a treasure that will become a family heirloom as time goes by.

These colorful and artfully decorated collections may seem daunting at first, but there are many web pages and whole sites dedicated to helping you find that creative artist that is yearning to escape. Here are some suggestions I’ve found inspirational.

The key to pulling off a successful scrapbook project begins with sorting photos you want to use and putting them in an appropriate order for the story you want to tell. It may be chronological for a grandparent or perhaps just a fun book celebrating a child’s birthday. Once you’ve got the images you want to use in the order, the next step is to decide on a theme or color scheme that enhances the story or concept you want to tell.

Copper, brass or aluminum foil can be used to add a metallic frame around a photo, and razzle-dazzle to any page.

One way to tackle this important step is to look for things that trigger an emotional response or personal connection. Stores like Hobby Lobby and others carry huge sections set aside for scrapbooking and it won’t take long for you to find items that work perfectly for your personal design.

You’ll be looking for background colors as well as embellishments for the pages that augment the story or simply add a decorative color or texture. Something as simple as taking a piece of copper wire and bending it into the letters you want to words you want to spell out can really enhance a page.

Framing a photo with copper foil can really make an image stand out, but it also creates an emphasis on the page that is quite dramatic. Little things like copper brads, beads, and sheeting are ideal for creating eye-popping pages your loved ones will treasure for a lifetime.

Copper foil and copper sheeting is easy to work with, adds beautiful color and texture.

Using a piece of thin copper sheeting, you can create a wreath effect for framing an image that is quite dramatic. All it requires is a blunt metal stylus or even a pencil will work if it is sufficiently rounded on the point. Working from the back side with the copper on a soft surface such as a stack of newspaper pages, draw on the metal slowly and carefully to create the wreath pattern.  Once the wreath pattern is complete, and the photo attached, you can add colorful flowers to complete the garland effect.

The key to pulling off a stunning scrapbook is to let your imagination run wild and most importantly to have fun.  One thing I’ve found to be true with any project I’ve tackled is starting early is critical to enjoying it from beginning to end. If you wait until a week before it is due you’ll create a lot of anxiety and feel so much pressure that you’ll not enjoy yourself and take shortcuts that are disappointing in the end. Plan on doing only one page at a time and you’ll find they stack up quickly.

One tip for layout is to position a photo on a page so the people in the shot are looking onto the page and not off. If the person in the photo is looking directly at the camera it is not as critical, but if they are looking to one side or the other, your page will look more balanced if you position the photo on the page so they are looking onto it and not out of the book’s page.

For all of your scrapbooking projects that call for copper foil, brass foil, aluminum foil, stainless steel foil or copper sheeting, you’ll find the best selection and the best prices and fastest shipping at QuickShipMetals.com. If you’ve never worked with copper or other types of foils in the manner, you might want to get a feel for the various thicknesses that are available. QSM offers a sample pack of copper foil, and a number of different decorative patterns are available in a decorative copper sample pack as well. Since you’re starting your scrapbook project early, you’ve got plenty of time to experiment!

For other ornamental copper items such as beads, letters and brads, go to your local hobby shop or simple do a Google search for scrapbooking with copper!

By Frank Ross

Greg Hentzi's copper-foil covered wastebasket would compliment any room.If you’ve ever seen a copper clad wastebasket or mailbox embellished with striking illustrations on copper foil, there’s a pretty good chance that it was created by Greg Hentzi, a copper artist who works from his studio in central Massachusetts where his family history is well established. His grandfather was a watchmaker who came to the U. S. from Switzerland, plying his craft at the Waltham watch company for over 30 years, and his father has a room in the Waltham museum that houses his personal collection.

With this background, you might wonder why Greg isn’t in the watch business. The answer is that he, as well as his father, took the wise council of his grandfather to heart. He said, “no Hentzi should work in a factory. He sat there, went blind making watches. So, my father became a salesman,” he explained.

Years later, Greg was a history major with a master’s degree in education, working on a master’s degree in history when he went ice fishing one winter day. He was joined on the ice by an old man he described as looking like Franklin Roosevelt. Sometime during the wait for a bite, his newly acquired companion commented that, “I believe the young people will save the country when Nixon gets through with it.”

Greg Hentzi decorated this mailbox with a drawing of dragonflies alighting on stalks of wheat.

Greg Hentzi decorated this mailbox with a drawing of dragonflies alighting on stalks of wheat.

Greg replied, “I’ve got two master’s degrees and I’m going bankrupt.” The old man asked him what he was doing, and he explained that he was trying to make lamps out of old wood planes. The old man’s response was simple in concept but difficult to follow. He advised him to become an artist because an artist can always make money.
The old man’s name was Henry W. Longfellow IV, a descendant of the famous poet who was obviously more skilled with his hands than the written word for he had been in the copper business for over 30 years starting in 1938, until he had retired. One day when these new fishing companions were through ice fishing Greg went over to Longfellow’s home where he was dazzled by a wide array of copper wastebaskets.

 

That first glimpse of these copper-clad creations was all it took to set the hook into a fisherman who was angling for a new career.

“Those wastebaskets were beautiful, but I didn’t think I wanted to go into that business. I went down to the local hobby shop and they had some copper, so I bought some copper foil and drew some pictures on it and went back up to see him. He asked me again if I wanted to go into the business and I said, yes, very much so. And that’s how I got the introduction.

After his first attempts at drawing on copper, Greg decided he should know something about art, so he took 14 art courses to improve upon his techniques. “Even if you have no talent you can develop a lot of skills in an art course. They can teach you how to draw. So, I started drawing wastebaskets with chickadees on them. If you do anything 10 times you begin to learn how to correct your mistakes. If you want to learn how to tie trout flies, they suggest you tie the same Royal Coachman 25 times and you’ll get better at it. My drawing skills got better and I was able to draw sailboats, then clipper ships and then the birds came in and I was able to draw the deer. So that’s how I got into it,” he explained.

From the basics of drawing images on copper, he progressed to learn about varying the colors through patinas, stains and plating. “With copper, you can antique it and make it different shades and different colors. I was very impressed with how I was able to silver plate it. You just came out with a very pretty object with it (copper) when you were done. So I’ve just gone on to draw 175,000 pictures in copper. It’s always a challenge, every time I draw one. You’ve got to be careful and watch what you’re doing,” he said.

For this box, Hentzi drew a flight of chickadees on pine boughs.

Regarding errors, which are inevitable, he advises, “ Sometimes you can put the copper foil on a piece of glass and use a piece of plastic to rub that line out, but you never really get rid of it totally. When you’re finished with the drawing you can antique it with a black patina and leave that area very dark and it doesn’t show up. When I look back on some of my first drawings they look pretty primitive. I think I’ve come a long way since the first couple of years. But even the first drawings were salable. I took them to stores and people bought them.”

After years of struggling he introduced his work to the Orvis catalog and the volume picked up. Soon his work appeared in all the major catalogs including Cabela’s and Bass Pro Shops. He also got an order from Duck’s Unlimited for 3,800 black Labs on copper, but lamented that he was drawing those in his sleep. While those were the big orders, he did not start out that big. In 1973, when he was just starting out he was the creator, salesman and shipping clerk. Once he had enough baskets created, he would load his old convertible down with 100 baskets and hit the road. “I would make the rounds up the coast of New England coast, on the coast of Maine and Cape Cod, calling on small gift shops, and they would buy five or 10,” he said.

Copper foil is kind of interesting because your forte is what you draw on the foil. I think a lot of people get put off because they can’t draw well and sometimes the foil has problems because the tool doesn’t slide as well. Or, you buy foil and sometimes it has this stain inhibitor on it, that makes the foil nice and shiny but then when you go to put your stain on, it won’t stick to it. Or, if the copper hangs around a long time before you use it, it gets tarnish on it and the tool won’t draw across it. It’s like trying to draw a Bic pen across sandpaper. When the copper foil is new, the surface is slick and it’s like drawing a pen across a piece of ice; it slips very nicely,” he said.
Through experimentation, Greg has discovered that soap is the best solution to combat the challenges of drawing on tarnished copper, but then he cautioned, “You have to wash the soap off.”

To keep up with the demand for his work Greg’s life revolves around copper. “I sit here and draw them every night. I can draw a copper picture in about eight minutes, onto the basket when I really get going. I can do about 15 or 20 drawings in a night from six until 11 and draw until my arm falls off. When I get 15 or 20 done, I go out into the shop in the morning and I polish those and lacquer them,” he said.

Although he has employed others at times, Greg now draws all of his creations by hand and then antiques them before wrapping them around the baskets or mail boxes. Once wrapped on mailboxes, he secures them in place with small rivets. On wastebaskets he uses a Pittsburgh fold to secure the copper but another technique he uses is applying clay to the back of the copper foil. The clay has two benefits. First, it maintains the raised elements of the repoussé drawings and the clay also helps the copper foil stick to the surface of the basket.

Although the downturn in the economy has altered some of his marketing outlets, Greg is now selling his wares on the Internet, but an artist who makes his living making waste baskets the reality is there is little time to waste. “When you have full-time work it’s hard to change very much if you know what I mean. Just in the last couple of years I’ve gone into big pictures measuring 2’x3’. I think if I had gone into those earlier I might have some of them selling them for a couple of thousand dollars apiece now. You can only get so much for a wastebasket or a mailbox,” he said.

Greg’s work can be found online at various sites, but he doesn’t have a website at this time. However, his work is so widespread that a search for copper mailboxes or copper wastebaskets will turn up many options to consider.

Meanwhile, if you’re considering your own artistic inclinations, copper foil is a wonderful medium and you’ll find the best quality at the best price at QuickShipMetals.com.

This beautiful piece of embossed copper art was created by Sheri and Ralph Meldrum. It was embossed then painted in oils, and is available at their Web site: http://www.sherimeldrum.com/new.html

By Frank Ross

Tooling is a process used to create designs in thin sheets of relatively soft metals such as copper. This can be done by several methods including embossing, pressing or stamping objects into the metal, transferring by overlaying and rubbing, and using various tools to dent, pierce or and hammer a design or shape.

Since the Bronze Age, copper has been a popular metal because it is soft and easily stretched and molded. Copper has similar tooling properties to gold and silver, but it’s far less expensive. The thickness most often used for this is 36-gauge, which is several times thicker and stronger than aluminum foil found in any home kitchen. Thicker copper sheeting can also be tooled, but they require greater force and are more challenging to cut. Foils are thin and conform to shaping and embossing with little force. Copper and brass foil can be readily cut to the desired size with a pair of household scissors or a utility knife.

A metal’s relative softness or stiffness is due to its temper. Tempering is a heat treatment designed to make metal more durable. Metal with a harder temper will feel thicker even though it measures the same as a softer metal. Metals with a higher temper will also be more resistant to tooling and shaping.

Copper foil is shipped in a roll while sheeting is shipped flat. Ripples or folds resulting from rough handling can be flattened by rolling the foil with a smooth rolling pin or piece of PVC pipe on a completely smooth surface such as a countertop or glass table.

To make an impression in the copper foil, place the metal on a soft surface such as a piece of foam, several thickness of soft cotton towels or a soft rubber matt. A stack of newspapers will also work, but not as well because it just doesn’t give as well when trying to create deep impressions. Metal art created in this manner are often referred to as a “copper relief.”

You can either tape a paper sketch onto the copper for a pattern, or make a rough sketch of your intended work with a soft-tip erasable marker. This will be the backside of your work. If you sketch your pattern, rub some wax paper lightly across the backside of the metal to be tooled. This will make your tools glide more smoothly when working the surface. Be sure not to get wax on the front side of your work because that will affect the patina of the copper. Following your outline, press down firmly with a blunt tool or ‘stylus’ to indent the metal and check to see if the desired embossed effect has been achieved on the reverse side. If you desire a higher relief, carefully repeat the process until the correct height is achieved. Blunt tools or styli are used to avoid accidentally poking a hole in the metal.

Your finished copper relief can be easily colored or darkened with prepared patinas. Also, by brushing paint or stain over the metal a similar effect can be obtained, but those are subject to being fragmented or chipped off with rough handling.

Another treatment consisting of buffing of the high lights with an abrasive pad gives an antique appearance.

As a piece of copper or brass is worked it will become stiffer. For high relief pieces that may be easily dented you’ll want to consider filled them with plaster from the back so they will not become damaged by handling. Another option for shallow relief pieces is to use hot glue, candle wax or paraffin will work if the finished work will not be placed in the sun or a hot environment.

Stamping, punching and piercing are very similar techniques that involve striking a tool against the metal with a mallet or hammer. Stamping leaves only an impression while punching and piercing produce a hole in the metal. You may be familiar with the most commonly available stamps for creating impress in metal; punches or stamps for numbers and letters. Without much effort, you should be able to obtain a variety of tools that create many different shapes and designs from commercial sources as well as improvised objects around your home or work area. In the early years of our nation’s history lanterns, boxes and pie safes were created with intricate stamped and pierced designs using only a screw driver, an awl or similar tool. Experimentation is always the key to innovation.

Create your own drawing and use that image to emboss your copper foil or sheeting.

Create your own drawing and use that to emboss your copper foil or sheeting.

Rub-transfers are another excellent option for creating intriguing designs by tooling metal. Designs and textures can be rubbed from many ready available things. Any raised surface with a design, from a coin to a piece of embossed jewelry can be placed under the copper sheet and transferred by rubbing or burnishing the metal over the object of choice with a rounded tool. Be creative in your thinking. The bark of a tree, a rubber stamp in your office desk, plant leaves, natural or any object with an irregular surface has the potential to add interest to a copper relief. The amount of pressure required to obtain a successful transfer will depend on the intricate detail of the object or texture that you have chosen to transfer.

Hammering a metal surface is also known as Repousse (pronounced rep-o-zay). By repeatedly pinging the metal with a dome shaped or balled peen hammer from the reverse side you can create a high relief shape in the obverse. Hammering can be used on thinner metal but care must be taken because working the metal too much makes it hard, brittle and therefore more likely to tear. By hammering metal repeatedly, you create a pebble-like texture that can be burnished out by rubbing it forcefully with a round, hard object. A wooden ball works well. For larger pieces, thicker metal is used so it can withstand much more hammering. However, there is always a trade off. Once the thicker metal becomes brittle it must be heated to a red hot temperature and quenched in a process known as annealing.

Brass is another option for tooling. It is a more tarnish resistant alloy of copper and zinc with an attractive gold-like color. It has similar properties for tooling compared to copper, although it is a bit stiffer to work with.

The best way to learn about working with metal is to do it, and there is no time like the present for starting a project. Quick Ship Metals has all the copper and brass foil and sheeting you’ll need.

For all your copper or brass foil or sheeting needs, shop QuickShipMetals.com online or give them a toll-free call at 1-800-334-2177.

To see more of Sheri and Ralph Meldrum’s work, it’s available online at http://www.sherimeldrum.com/new.html

Copper comes in many forms and thicknesses. Copper sheet is thick, ridged and can be difficult to bend and cut by hand, but it is strong and durable. Copper flashing is flexible and has a soft temper which means it can be more easily formed and cut by hand. Although used primarily in roofing applications, copper flashing has many craft and decorating uses. Copper foil is the thinnest and most flexible copper sheeting available. We also stock a good selection of aluminum and stainless crafting foils. The flexibility and durability varies with the specific thickness of the foil used.

Selecting the right thickness and flexibility of copper foil or copper sheeting for an art project is not difficult once you have some comparative information to go by. Listed below is a brief explanation of some of the cutting and forming characteristics of copper foil and copper sheeting to consider when determining the correct thickness of material for your requirements.

.001″ copper foil - Can tear with fingers, cuts perfectly with normal scissors, really feels like aluminum foil that you would find in your kitchen cabinet.

.003″ copper foil – Can not tear with fingers, cuts perfectly with normal scissors, easily shaped by hand.

.005″ copper foil - Cuts perfectly with normal scissors, shaped easily by hand, retains shape but still fairly flimsy.

.010″ copper foil - Can still be cut with scissors, shaped easily by hand, can make 90 degree bends by hand, retains shape well.

.0216″ copper coil - Need metal snips to cut, can be bent by hand, 90 degree bends by hand are difficult.

If you’re still not sure what thickness you need? Just give us a call at 1-888-334-2177 and we will be glad to help you out.

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